Dame Dash has ignited a controversial discussion regarding the ownership of the hit TV series “Power,” claiming that rapper 50 Cent, who is often credited as an executive producer, does not actually own the show. In a recent interview, Dash provided insights into the television industry’s intricacies, suggesting that 50 Cent’s involvement is largely nominal and that he is, in fact, receiving a salary for his role.
According to Dash, the ownership of television shows typically involves a production company acquiring rights, which are then sold to networks. He emphasized that while 50 Cent is credited as an executive producer on “Power,” this title can often be misleading. “Executive producer can mean so many things,” Dash said, explaining that such a title does not guarantee financial investment or ownership. It can simply signify oversight or the desire for a name associated with the project for promotional purposes.
Dash pointed out that Netflix, which owns the Starz network, actually holds the rights to “Power.” He noted that 50 Cent has openly admitted to making $25,000 per episode, a figure Dash characterized as a “joke.” While this salary may have opened doors for bigger opportunities for the rapper, Dash insisted that it highlights the disparity between the perceived glitz of Hollywood and the underlying financial realities.
The conversation also touched on broader issues within the entertainment industry, particularly concerning the representation of Black creators. Dash criticized the trend of placing Black individuals in prominent roles within production companies that are predominantly white, arguing that this leads to a lack of genuine ownership and control over creative projects.
Additionally, Dash addressed the question of 50 Cent’s claim to the rights of the film “Paid in Full.” He clarified that he never sold the rights to 50 Cent, refuting claims that the rapper had acquired them. “If you want to know who owns it, just ask,” Dash remarked, insisting that thorough research reveals the true ownership of these projects, rather than relying on headlines or announcements.
The interview concluded with Dash encouraging viewers to investigate claims about ownership in the industry. He highlighted the importance of understanding the complexities of rights and ownership in the entertainment business, suggesting that many headlines can be misleading.
As discussions about ownership and representation in Hollywood continue, Dame Dash’s comments serve to spotlight the intricate dynamics of the television and film industries, urging stakeholders to recognize and address these ongoing issues.