Stephen Jackson, former NBA player and activist, has voiced his discontent over Lil Yachty’s recent use of George Floyd’s name in a rap verse. In a candid video response, Jackson expressed his frustration with the trend of artists exploiting the names of deceased individuals for clout, particularly highlighting the disrespect it shows towards the memory of those who have passed.
“I’m so out the way, man. Trying to mind my business,” Jackson began, indicating that he typically prefers to stay out of the limelight. However, he felt compelled to speak out against what he perceives as a growing issue in the music industry. Jackson criticized Lil Yachty’s decision to reference Floyd, who was tragically killed in 2020, stating that it reflects a broader problem within the current hip-hop culture.
Jackson emphasized that using Floyd’s name in a verse is not only disrespectful but also indicative of a lack of authenticity among some artists. “You’ve been whack,” he said to Lil Yachty, arguing that such tactics won’t elevate one’s music. Jackson asserted that this trend of demeaning the deceased is not only inappropriate but also offensive to those who genuinely knew and loved them. “Y’all none of y’all knew G. Nothing about him, but y’all want to say his name for clout,” he remarked, referring to George Floyd by his last initial.
The former athlete further elaborated on the emotional impact of such actions, suggesting that if the tables were turned and someone from Lil Yachty’s family were to pass, he would likely find it far from humorous. “Let somebody die in your family. We gonna do a whole skit about it and see how funny it is, bro. Cut that out, man,” Jackson urged, imploring artists to reconsider their approach to referencing those who have lost their lives.
Jackson’s passionate response resonates with many who feel that the music industry should uphold a level of respect for individuals who have made significant cultural impacts, especially in the context of social justice movements. His message has sparked discussions about the responsibilities of artists and the importance of honoring their legacies rather than exploiting them for commercial gain.
In the wake of his comments, Jackson has garnered support from fans and fellow activists who echo his sentiments. The third ward of Houston, Texas, which Jackson represents, stands firmly behind him, emphasizing the need for artists to engage in more meaningful and respectful expressions of their artistry.
As the conversation continues, it raises critical questions about the boundaries of artistic expression and the moral obligations of those within the entertainment industry. Jackson’s call for respect serves as a reminder that the legacies of individuals like George Floyd should be honored, not trivialized.